On January 10 1926, Yanagi Sōetsu and the potters Hamada Shōji and Kawai Kanjirō sat talking excitedly late into the night at a temple on Mt Kōya, in Japan’s Wakayama Prefecture.

They were debating how best to honour the beauty of simple, everyday Japanese crafts. Out of that conversation came a new word, mingei, and a plan to found The Japan Folk Crafts Museum in Tokyo. Later, Yanagi would describe what emerged that night as “a new standard of beauty”.

A century on, Yanagi’s ideas feel strikingly relevant. His message was simple: beautiful things need not be rare or expensive – they can be well-designed objects that we use every day.

In an age of fast fashion, disposable products and growing concerns about waste, his approach offers an important reminder to think about the objects we choose to have around us.