

After 35 years, it appears that Disney Gay Days — the annual LGBTQ+ event where participants, their families, friends, and allies visit the Walt Disney World parks and wear red shirts for visibility — are on their last legs.
The group that organizes the event recently announced that shifting hotel agreements and the loss of key sponsors forced it to cancel the 2026 celebration. Although organizers are encouraging gay fans to visit the parks on the usual dates and wear themed attire, the coordinated celebration appears to be on its way to history’s ash heap.
Some people, particularly in Christian outlets, are claiming that boycotts are behind the sponsorship losses that led to the 2026 pause of the organized Gay Days events at Disney, but BlazeTV Auron MacIntyre disagrees.
“Evangelical Christians tried to cancel Gay Days with an on-again-off-again boycott for decades. What finally wounded the LGBTQ leviathan wasn't conservative activism. It was cultural apathy,” he says.
“I remember the first wave of evangelical pushback as Disney began signaling support for homosexual lifestyles in the 1990s,” says Auron.
But it was a “strangely inconsistent boycott,” he says.
“One year, the Southern Baptist Convention urged members to avoid Disney. The next year, churches were showing up to the Night of Joy, Disney's Christian music festival.”
As a result of this “sloppy, intermittent resistance,” Disney "leaned in harder” to its pro-homosexuality agenda, moving "from park celebrations and employee benefits” to “progressive messaging” in its cinematography.
“'The Little Mermaid' became black, gay couples were kissing in 'Star Wars,' and diverse girlbosses dominated Marvel. As acceptance of gay marriage shifted from taboo to required corporate orthodoxy, Disney replaced entertainment with propaganda,” says Auron.
Thus the fading of Gay Days had nothing to do with either Christian resistance or a rolling back of support from Disney.
Auron says that "apathy" is why Gay Days “suddenly [fell] apart.”
“Apathy doesn't mean that Americans suddenly disapproved of Disney's agenda sadly. It just means that normal people stopped granting it the honor of a fight,” he explains.
“Many families quit watching new releases, not as part of a coordinated boycott, but because the product became preachy, weird, and dull. Others kept their subscriptions but tuned out of the messaging and rolled their eyes. Either way, the ritualized drama lost its electricity.”
“Corporate sponsors,” says Auron, “follow attention, and attention follows the next outrage.”
“A movement built on being shocking can't survive once it becomes background noise.”
So what’s the lesson here?
Citing Machiavelli’s “The Prince,” Auron says, rulers must “leave opponents alone or crush them entirely. A complacent enemy might grumble, but they avoid taking risks; a crushed enemy can't retaliate. The most dangerous enemy is one that has suffered a minor bloodying. He gains the motivation to fight and keeps the means to harm.”
“Conservatives gave the LGBTQ movement exactly that minor bloodying — outrage finger-wagging, but never any real consequences,” he explains.
The “LGBTQ leviathan” responsible for Disney Gay Days, he argues, “didn't lose because the right defeated it; it lost because it exhausted its own cultural energy.”
“The lesson here is pretty simple,” says Auron. “If the right fights, it must pick battles carefully and commit fully to winning them. ... If you fight, you must crush the enemy's capacity to operate; otherwise, you invigorate his cause while draining your own. Clumsy half measures feed your foe, and you end up hoping he defeats himself.”
To hear more, watch the video above.
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